Yes. Most of my projects are commissions. The process begins with a conversation about your vision, space, and goals. From there, I create proposals, sketches, or samples to guide the design. Many clients start with only a general feeling or idea—that’s welcome. We refine together, and I keep you updated as the work develops in the studio. Inquire here.

Smaller ready-to-ship works leave the studio within a week. Small commissions typically ship in about 4 weeks, while larger or more complex projects take longer. I’ll always provide a clear timeline before we begin.

Commissions start at $3,000. Trade pricing is available for designers, consultants, and long-term collaborators. Payment schedules depend on project scale, and all terms are shared clearly before work begins. Inquire here.

Customization is possible with size, color, and sometimes materials. We can work from my existing palette and forms, or expand through sampling to meet your needs. Some customizations may require additional time or cost, which I’ll outline before work begins. Inquire here.

I ship nationally and internationally. Every I ship nationally and internationally, with each sculpture carefully packed, insured, and delivered with detailed installation guidance. For larger or more complex pieces—or simply to ensure a seamless experience—I offer installation support. Should a piece ever be damaged in transit, I resolve it promptly, through repair, replacement, or remake, ensuring your work arrives ready to inhabit its space.

Most pieces require little maintenance beyond occasional dusting with a soft, dry cloth. For vessels, they are dishwasher safe, though handwashing is preferred—and often joyous—with handmade work. Each piece comes with simple care guidelines, so you can feel confident about its longevity.

Each piece is made by hand in my studio. Materials respond differently in every environment, every circumstance, and under every touch. Clay, fabric, and other mediums shift with time and fire, which means no two works are ever identical. I’ve moved away from producing pottery at scale to focus on sculpture and vessels as singular artworks—objects that carry the imprint of process, time, and transformation.

My studio is rooted in reverence for materials, trust in transformation, and respect for collaboration. Making is a practice: through research, exploration, and daily work, I create objects that reflect both beauty and imperfection. Sustainability and durability guide material choices, but equally important is the energetic presence each work carries into its new home.